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Aggar-2007

Cast :            Tusshar Kapoor, Shreyas Talpade, Udita Goswami, Vikas Kalantri
Music :          Mithoon
Director :       Ananth Narayan Mahadevan
Producer :       Narender Bajaj
History :  
 Having been assured by director Anant Mahadevan that
this is an original story, let me at the outset say writer S. 
Farhan has written a riveting manuscript on the anatomy of infidelity. 
Mahadevan has filmed the thriller with that trademark sparkle
which distinguishes this underrated director from his popular peers.
Well-packaged and evenly narrated, "Aggar" has a plot that keeps the narration going
at a hot trot till the very last visual spills out in a pool of blood.
            Though not done with any great stab at profundity, the episodes move with 
the sly celerity of a James Hadley Chase novel with a certain respect f
or logic generally absent in fast-paced Bollywood thrillers.
I'll draw attention to the narrative's mid-level where the wife, thinking her
husband is unfaithful, has defiantly returned from a bout of infidelity 
with a man whom her psychiatrist-husband has been curing of a serious mental disorder.
Suddenly as the wife (Udita Goswami) enters her 
home she realises the woman she thought to be her husband's lover is actually an
hired by her husband to build their dream home.
The second-half of this finely contoured jigsaw puzzle has Tusshar turning distinctly
obsessive and doing a violent version of in 
"Darr". Open wounds on tortured faces ooze out as the two male actors battle it out.
            "Aggar" is a steamy brew of double-crossing characters. 
Tusshar, so far doing staid, slightly naïve characters
works himself into dark noire areas of acting with surprising restraint. 
Here's an actor who has persuaded himself to evolve beyond his own expectations. 
He carries off his disturbed character's turmoil with reposeful restrain.
Shreyas Talpade, I am afraid, is thoroughly miscast as the suave, upmarket shrink. 
The Versace spectacles don't help much. Udita is perky and at times quite a revelation.
Anant Mahadevan has always been a fine raconteur with a perceptive eye for colours and interiors. 
Take a look at how bright Tusshar's home gets after he returns to a normal 
life - the cheerful white  the plants and trees fluttering in the skyline. Or take Udita's workplace -
it's functional yet flashy.
             This thriller seldom digresses into unwanted interpolations. 
The narrative doesn't take too many breaks except for Suresh Menon who plays a leery fashion designer.
And what, pray tell, happened to Sophia Chowdhary who 
simply falls to her death in Reel 3? Was she pushed or did she take the diva's dive voluntarily 
because her character was caught cheating on her sensitive lover?
Plot :
A woman discovers that, becoming attracted to the wrong man can have deadly consequences in this
taut and tense thriller. 
Janvi (Udita Goswami) is a woman whose life would seem ideal on the surface she runs a
thriving business and is married to
Dr Adi Merchant (Shreyas Talpade), a psychiatrist.

           But a faint air of discontent has begun to creep into her relationship when Aryan
(Tusshar Kapoor), joins Janvi’s company.
Aryan himself has issues as an angry outburst leads him to accidentally kill his cheating girlfriend.
Janvi impulsively gets drawn into a relationship with Aryan to keep her sanity. 
But after her issues with her husband are resolved she tries to break off the affair. Aryan,
however, is not willing to give her up so easily, and his attraction to her soon becomes a dangerous
obsession. 
This film is a copy of Love Stinks
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