ENGLISH

MIB - 1997

History :
               Men in Black follows the exploits of agents Kay and Jay, members of a top-secret organization established to monitor and police alien activity on Earth.The two Men in Black find themselves in the middle of the deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies. In order to prevent worlds from colliding, the MiB must track down the terrorist and prevent the destruction of Earth. It's just another typical day for the Men in Black.Based off of the comic book. Unbeknownst to other people, there is a private agency code named MiB. This agency is some kind of extra terrestrial surveillance corporation. Then, one of the agency's finest men only going by the name "K", is recruiting for a new addition to the agency. He has chosen James Edwards of the N.Y.P.D. Then, one day, a flying saucer crashes into Earth.
            This was an alien a part of the "Bug" race. He takes the body of a farmer and heads to New York. He is searching for a super energy source called "The Galaxy". Now, Agents J and K must stop the bug before it can escape with the galaxyThe adventures of two federal agent men Agent Kay and Agent Jay also known as "The Men in Black," who keeps an eye on aliens in New York City must try to save the world after the aliens threaten to blow it up. Jay and Kay's mission is to foil the plot by tracking down the terrorist, thereby preventing the earth from being destroyed.In present-day America, Agent K is a member of an organization that has been keeping track of extra-terrestrial aliens on Earth for over 40 years. When K finds himself in need of a new partner, a brash NYPD detective, James Edwards fills the position, becoming Agent J. Armed with space-age technology (which J barely understands) and their razor-sharp wits, J and K investigate a newcomer who is bad news for Earth.


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Michael Jackson Hits Vol-1

History :
         A superstar who spanned pop, disco and MTV, Michael Jackson was one of the great music heroes of the late 20th century. But by the time of his sudden death at age 50 in 2009, he was known less for his music than for his erratic behavior, wild spending, and many plastic surgeries. Jackson became a singing star at age 11, when he had four consecutive #1 hits with his youthful band of brothers, The Jackson Five. A cute youngster with a groovy afro and a soulful voice, Jackson became the darling of fans and soon outgrew the band. He went solo in 1972 with the album Got to Be There and embraced the glitter of disco with Off the Wall (1979). After his smash 1982 album Thriller yielded seven top-ten hits (including "Billie Jean" and "Beat It"), Jackson was dubbed "The King of Pop." Jackson was an early star of MTV and an international hitmaker. His distinctive wardrobe featured glittery suits and pseudo-military uniforms matched with the single white glove that became his signature; he also developed a signature dance move, the sliding reverse stroll known as the "moonwalk."

           Jackson's next album, Bad, topped the charts in 1987. Then his eccentric lifestyle began to overwhelm his recording career, and Jackson became a favorite of the gossip sheets. In 1994 he married Lisa Marie Presley, the daughter of Elvis (a.k.a. "The King"), but they divorced in 1996. Also notorious were Jackson's long series of cosmetic surgeries, rumors of exotic pets (including his chimpanzee pal Bubbles) and superstar peccadilloes at Jackson's ranch estate, dubbed "Neverland", a reference to the story of Peter Pan. His marriage to Presley was followed by another brief marriage to Debbie Rowe (1996-99) and multiple accusations of inappropriate conduct with children. In 2005 he was tried on charges of child molestation and conspiracy related to his relationship with a 13-year-old boy. Jackson was acquitted on all charges after a trial that year. He became increasingly reclusive, appearing in public only behind sunglasses, tinted car windows and silk face masks; reports of lavish spending and unpaid bills became standard fare. Jackson popped back up in London in 2009 to announce a new series of 50 performances in the city's O2 Arena, but died at his rented mansion in Los Angeles before the concerts could take place.

          Jackson played the Scarecrow in the 1978 movie The Wiz, a takeoff on The Wizard of Oz; the role was played by Ray Bolger in the original 1939 film... Jackson's sister, Janet Jackson, was a pop superstar of the 1990s... Michael Jackson did not buy the bones of the Elephant Man, despite rumors to the contrary... Jackson had two children with Rowe: son Michael Jr. (called Prince, b. 1997) and daughter Paris Michael Katherine (b. 1998). He also had a third child, Prince Michael II (called Blanket, b. 2002), whose mother has not been publicly named. After Jackson's death, his mother, Katharine Jackson, was awarded custody of the three kids... Thriller has sold over 100 million copies, making it the best-selling album of all time... Jackson was no relation to the British food and liquor expert Michael Jackson.

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Best Of Eminen

History :
          Get a high quality-suitable for framing - AUTOGRAPHED - photo print of you on Shady Claus' lap! Just upload your face to the Santa shot of your choice, pick a photo size, and the deranged elves will pass it to Shady Claus' hand for his REAL signature before they have the reindeer fly it to you sometime before President's Day. All proceeds from the sale of Shady Claus autographed photos will go to The Marshall Mathers Foundation, Eminem's charitable organization for the support and development of disadvantaged youth. Please allow 4 -6 weeks for delivery. Happy Holidays and a Shady New Year!

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Gladiator Music - 2003

History :

                 While it is obvious that an impressive amount of historical and scholarly research was undertaken by the filmmakers, much of the plot is fiction. The fiction does however, appear to be inspired by actual historical events, as will be shown in the appropriate sections below. In this sense, the film is perhaps best seen as a collage, or artistic representation of ancient history, as opposed to an accurate, chronological, reconstruction of events.It also appears that Scott attempts to present not just a reconstruction of empirical facts, but also desires to present to us his vision of the culture of ancient Rome, the spirit of its time, and the psychological outlook characteristic of its period. In other words, its zeitgeist, and for the psychology of the characters, their mentalite. On that note, Ridley Scott, If the ancient sources can be trusted, Commodus was even more bizarre in real life than he was in the film.

              Commodus, whose full name was Caesar Marcus Aurelius Commodus Antoninus Augustus, was proclaimed Caesar at age 5 and joint emperor (co-Augustus) at the age of 17, in 177 CE, by his father, Marcus Aurelius. Reality was very different than the film in this instance. Commodus was, as depicted in Gladiator, present with his father during the Danubian wars, and yes, this is where Marcus Aurelius died. As for the actual circumstances of his father's death, see below.

                 Historians from the time of Commodus have not been kind to him. As aristocratic intellectuals, they were not amused by his crude antics. Hence, our present day historiography still reflects, rightly or wrongly, this ancient bias. His father, possessing the virtues seen as noble by the literate aristocracy, was, and often still is, regarded as a great man, while his son was hated by the Senate and ridiculed by historians. Yet it is said that the army and the lower classes loved him. Cassius Dio, a senator and historian who lived during the reign of both Commodus and his father wrote, in regards to the accession of Commodus, that "our history now descends from a kingdom of gold to one of iron and rust, as affairs did for the Romans of that day."

Indeed, some historians even question his sanity. Commodus, in his own time, was accused of being a megalomaniac. He renamed Rome Colonia Commodiana, the "Colony of Commodus", and renamed the months of the year after titles held in his honour, namely, Lucius, Aelius, Aurelius, Commodus, Augustus, Herculeus, Romanus, Exsuperatorius, Amazonius, Invictus, Felix, and Pius. The Senate was renamed the Commodian Fortunate Senate, and the Roman people were given the name Commodianus.

           Historian Aelius Lampridius tells us that "Commodus lived, rioting in the palace amid banquets and in baths along with 300 concubines, gathered together for their beauty and chosen from both matrons and harlots... By his orders concubines were debauched before his own eyes, and he was not free from the disgrace of intimacy with young men, defiling every part of his body in dealings with persons of either sex."

Commodus went so far as to declare himself the new founder of Rome, a "new Romulus". In attempting to boast a new "Golden Age" of Rome, he was clearly emulating his father. But the effect was to make him the laughing stock of the aristocratic class.

Yes!

In this case, the truth is even stranger than the fiction. Commodus claimed to be descended from the God Hercules, and even began to dress like him, wearing lion skins and carrying a club.

           The historian Herodian wrote that "in his gladiatorial combats, he defeated his opponents with ease, and he did no more than wound them, since they all submitted to him, but only because they knew he was the emperor, not because he was truly a gladiator."

He also fought wild beasts. Dio Cassius wrote that Commodus killed five hippopotami at one time. He also killed two elephants, several rhinoceroses, and a giraffe "with the greatest of ease".

              Herodian tells us further that Commodus had a special platform constructed which encircled the arena, from which he would display his skills as a hunter. He is recorded to have killed one hundred leopards with one hundred javelins. As a theatrical treat, he would slice the heads off of ostriches with crescent-headed arrows, which would then run around the amphitheater headless.Dio Cassius reveals that Senators were made to attend these spectacles, and that on one occasion Commodus killed an ostrich and displayed the severed head in one hand, his sword dripping with blood in the other, thus implying that he could treat them the same way. 

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13 Hit Songs Of English

History :
         In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film E.T. the Extra-Terrestrial; the record won a Grammy for Best Album for Children. That same year Jackson issued his second Epic album, Thriller, which surprisingly became the most commercially successful album of all time with nearly no promotion. The album remained in the top 10 of the Billboard 200 for 80 consecutive weeks and 37 of those weeks at the peak position. It was the first album to have seven Billboard Hot 100 top 10 singles, including "Billie Jean" and "Wanna Be Startin' Somethin'." Thriller was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. It is the best-selling album of all time in the United States. It was, and currently remains, the best-selling album of all time, with 110 million copies worldwide. Jackson's attorney John Branca noted that Jackson had the highest royalty rate in the music industry at that point: approximately $2 for every album sold. He was also making record-breaking profits from sales of CDs and The Making of Michael Jackson's Thriller, a documentary produced by Jackson and John Landis. Funded by MTV, the documentary sold over 350,000 copies in a few months. 
        The era saw the arrival of novelties like dolls modeled after Michael Jackson, which appeared in stores in May 1984 at a price of $12. Biographer J. Randy Taraborrelli writes that, "Thriller stopped selling like a leisure item — like a magazine, a toy, tickets to a hit movie — and started selling like a household staple."

during his performance on Motown 

        Time described Jackson's influence at that point as "Star of records, radio, rock video. A one-man rescue team for the music business. A songwriter who sets the beat for a decade. A dancer with the fanciest feet on the street. A singer who cuts across all boundaries of taste and style and color too". The New York Times wrote that, "in the world of pop music, there is Michael Jackson and there is everybody else".

            Jackson's popularity would soar further. On March 25, 1983, he performed live on the Motown 25: Yesterday, Today, Forever television special, both with The Jackson 5 and on his own singing "Billie Jean". Wearing a distinctive and golf glove decorated with rhinestones, he debuted his signature dance move, the moonwalk, which former Soul Train dancer and Shalamar member, Jeffrey Daniel had taught him 3 years before. His performances during the event were seen by 47 million viewers, and drew comparisons to Elvis Presley's and the The Beatles' appearances on The Ed Sullivan Show. Anna Kisselgoff of the The New York Times said, "The moonwalk that he made famous is an apt metaphor for his dance style. How does he do it? As a technician, he is a great illusionist, a genuine mime. His ability to keep one leg straight as he glides while the other bends and seems to walk requires perfect timing." Ian Inglis, author of Performance and Popular Music: History, Place and Time (2006) noted Jackson had created a pivotal turning point in the history of popular music "in that [his performance] marked the shift of emphasis from musical performance to visual presentation. In stark contrast to the other, live, performances of Motown 25, Jackson performed to a pre-recorded soundtrack, lip-syncing to his multi-layered pre-recorded voice, thus indicating that the visual reenactment of music video imagery had become an integral, and perhaps dominant, part of live performance.

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Tomb Raider Music - 2001

History :
         Apparently this artifact will only work during a rare alignment of planets "culminating in a full solar eclipse." Nevermind that it's a physical impossibility for other planets to cause an eclipse on Earth. Nevermind that the artifact is shown in 5,000-year-old flashbacks working just fine even when there isn't an alignment or an eclipse. But let's not nit-pick. This movie is a washout even without such moronic blunders.

A rave music-fueled, double espresso attempt by a wannabe John Woo to morph together scraps of "Batman" (Lara's high-tech estate comes with a deadpan butler), "Indiana Jones" (Lara faces down a nefarious rival archeologist) and "The Fifth Element" (nonsensical countdown-to-cataclysm plot) -- then slap a pair of boobs on the resulting hybrid creature -- "Tomb Raider" isn't so much a movie made from a video game as a movie made for a video game mentality.

        The stunts are undeniably cool since they're the only real point of the picture. In the best sequence, a bungee-bounding Lara bounces off the walls while fighting off a band of heavily armed intruders who rappel through the skylights of her manor in a raid aimed at purloining another important plot device -- I mean artifact..But as butt-kicking as such scenes are, the rest of the movie is at least twice as stupid. Story development depends on the cheapest and clumsiest of expository dialogue. Pseudo-spiritualism is invoked to pad the run time and imply an artificial depth of character that the pixilated version of Lara Croft never had. And in the last reel even the action becomes boring when fight scenes are thrown in willy-nilly because the finale lacks punch."Tomb Raider" knows what its target audience wants -- bullets, breasts and things that go boom. But if you're not a part of that 14-year-old dude-mentality demographic, chances are you'd prefer an action flick that acknowledges its own absurdities. 

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Matrix Music - 1999

History :
         Computer programmer Thomas A. Anderson leads a secret life as a hacker under the alias "Neo" and wishes to learn the answer to the question "What is the Matrix?" Cryptic messages appearing on his computer monitor and encounters with three sinister agents lead him to a group led by the mysterious underground hacker Morpheus, a man who offers him the chance to learn the truth about the Matrix. During his encounter with the agents, they implant a hidden tracking bug in his physical body intended to expose the location of Morpheus and the underground. Morpheus gives Neo a choice between two pills: red to learn the truth, blue to return to the world as he knows it. Neo accepts by swallowing the offered red pill, and he subsequently finds himself in a liquid-filled pod, his body connected by wires and tubes to a vast mechanical tower covered with identical pods. The connections are severed, and he is rescued by Morpheus and taken aboard his hovercraft, the Nebuchadnezzar. Neo's neglected physical body is restored, the tracking bug implanted by the agents is exposed and removed, and Morpheus explains the situation.

       Morpheus informs Neo that the year is not 1999, but estimated to be closer to 2199, and that humanity is fighting a war against intelligent machines created in the early 21st century. The sky is covered by thick black clouds created by the humans in an attempt to cut off the machines' supply of solar power. The machines responded by using human beings as their energy source in conjunction with nuclear fusion, later growing countless people in pods and harvesting their bioelectrical energy and body heat. The world which Neo has inhabited since birth is the Matrix, an illusory simulated reality construct of the world as it was in 1999 developed by the machines to keep the human population docile in their captivity. Morpheus and his crew belong to a group of free humans who "unplug" others from the Matrix and recruit them to their resistance against the machines. Within the Matrix, they are able to use their understanding of its nature to bend the laws of physics within the simulation, giving them superhuman abilities. Morpheus believes that Neo is "the One", a man prophesied to end the war through his limitless control over the Matrix.

       Neo is trained to become a member of the group. A socket in the back of Neo's skull, formerly used to connect him to the Matrix, allows knowledge to be uploaded directly into his mind. In this way, he learns numerous martial arts disciplines, and demonstrates his kung fu skills by sparring with Morpheus in a virtual reality "construct" environment similar to the Matrix, impressing the crew with his speed. Further training introduces Neo to the key dangers in the Matrix itself. Injuries suffered there are reflected in the real world; if he is killed in the Matrix, his physical body will also die. He is warned of the presence of Agents, fast and powerful sentient computer programs with the ability to take over the virtual body of anyone still directly connected to the Matrix, whose purpose is to seek out and eliminate any threats to the simulation. Morpheus is confident that once Neo fully understands his own abilities as "the One", they will be no match for him.

        The group enters the Matrix and takes Neo to meet the Oracle, the woman who has predicted the eventual emergence of the One. She tells Neo that he has "the gift" of manipulating the Matrix, but that he is waiting for something, possibly his next life. From her comments, Neo deduces that he is not the One. She adds that Morpheus believes in Neo so blindly that he will sacrifice his life to save him.

        Returning to the hacked telephone line which serves as a safe "exit" from the Matrix, the group is ambushed by Agents and SWAT teams. Morpheus allows himself to be captured so that Neo and the others can escape. They later learn that they were betrayed by the crew-member Cypher, who preferred his old life in The Matrix over the real world, and therefore made a deal with the Agents to give them Morpheus in exchange for a permanent return to the Matrix. Cypher is defeated but not before his betrayal leads to the deaths of all crew-members except Neo, Trinity, Tank, and Morpheus, who is imprisoned in a government building within the Matrix. The Agents attempt to gain information from him regarding access codes to the mainframe of Zion, the unplugged humans’ subterranean refuge in the real world. Neo and Trinity return to the Matrix and storm the building to rescue their leader. Neo becomes more confident and familiar with manipulating the Matrix, ultimately dodging bullets fired at him by an Agent. Morpheus and Trinity use a subway station telephone to exit the Matrix, but before Neo can leave, he is ambushed by Agent Smith. He stands his ground and circumstantially defeats Smith (despite the Agent having the upper hand), when he causes Smith to be run over by a train, but flees when the Agent possesses another body.

         As Neo runs through the city toward another telephone exit, he is pursued by the Agents while "Sentinel" machines converge on the Nebuchadnezzar's position in the real world. Neo reaches an exit, but he is ambushed by Agent Smith and shot dead. In the real world, Trinity whispers to Neo that she was told by the Oracle that she would fall in love with "the One", implying that this is Neo. She refuses to accept his death and kisses him. Neo's heart beats again, and within the Matrix, Neo revives; the Agents shoot at him, but he raises his palm and stops their bullets in mid-air. Neo is able to perceive the Matrix as the streaming lines of green code it really is. Agent Smith makes a final attempt to kill him, but his punches are effortlessly blocked, and Neo destroys him. The other two Agents flee, and Neo returns to the real world in time for the ship's EMP weapon to destroy the Sentinels that had already breached the craft's hull. A short epilogue shows Neo back in the Matrix, making a telephone call promising that he will demonstrate to the people imprisoned in the Matrix that "anything is possible". He hangs up the phone and flies into the sky.

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Jurassic Park Music - 1993

History :
         On a small island off the coast of Costa Rica exists a most unusual animal preserve by the name of Jurassic Park. Operated by dinosaur lover John Hammond (Richard Attenborough), Jurassic Park is the first of its kind. Its population of creatures includes brachiosaurs, dilophosaurs, tricerotops, velociraptors, and a Tyrannosaurus Rex, each of which has been cloned using the latest technology that takes DNA from dinosaur-biting prehistoric insects preserved in amber, and uses that DNA for the re-creation. When the consortium funding Jurassic Park become concerned that all is not as it should be, Hammond is forced to call in three experts: paleontologist Dr. Alan Grant (Sam Neill), his partner, paleo-botanist Dr. Ellie Sattler (Laura Dern), and the brilliant-but-cynical mathematician Dr. Ian Malcolm (Jeff Goldblum). When the trio arrives at Jurassic Park, they are astonished by what it represents. It doesn't take long, however, for astonishment to turn to horror.

        First of all, for anyone who's wondering, given the current state of technology, the situation postulated in Jurassic Park cannot happen. Not only do the necessary cloning techniques not exist, but the likelihood of retrieving dinosaur DNA from an amber-encased prehistoric mosquito is extremely small. While insect specimens have been unearthed, for there to be dinosaur DNA, circumstances demand that the mosquito had bitten a dinosaur shortly before its fatal imprisonment, and the chance of that is slim, at best.

        Nevertheless, the enjoyment of any movie is hardly predicated by a factual premise. The apparent realism of some of Crichton's pseudo-science imbues Jurassic Park with a grounding that is acceptable in our high-tech world. After all, to weave a dinosaur fable in this day and age, it helps if science, not fantasy, is the driving force.

        Of course, the special effects help immensely. They are so good, in fact, and the dinosaurs look so real, that I half expected to see "dinosaur trainer" during the closing credits. Instead, however, plaudits go to the creators of Jurassic Park's primary screen presences (all apologies to the actors). Stan Winston, definitely no stranger to this sort of film (his recent credits include Aliens and Terminator 2), is credited with the live-action creatures. Dennis Muren gets his due for the full motion monsters. Phil Tippett is the "dinosaur supervisor" and Michael Lantieri presides over the creature effects. All-in-all, the wizards at ILM have done an outstanding job, giving us by far the most impressive and believable monster movie of all time. Nothing compares.

         Unfortunately, the story isn't the equal of its execution. To begin with, Crichton's book, while filled with fascinating ideas and entertaining moments, doesn't hold together as a top-of-the-line adventure story. The ending is especially problematic, resulting in a long-winded denouement that drags to an anticlimactic conclusion. Despite numerous small changes and omissions, the movie Jurassic Park is very much faithful to its printed inspiration. Perhaps Michael Crichton's involvement in the screenplay has something to do with this.

         The biggest weakness of the novel is characterization, and the same flaw is fully evident in the screen adaptation. There are a few exceptions. The scenes between Alan and Ellie at the beginning are well-done, with the affection between them evident from the start (a change from the book, where the two were never a couple). Also noteworthy is a scene where Ellie confronts Hammond, who's eating a dish of ice cream in the midst of the crisis. Here, we get a sense of what's going on inside the old man's head. In the book, he's a mixed-up fanatic, but in the film, he's made into a sympathetic, albeit eccentric, figure. Interestingly, some transposition has gone on between Hammond's two grandchildren. Tim (Joseph Mazzello) is still the dinosaur-lover, but the screen's version of the boy is younger than his sister Alexis (Ariana Richards). The flip-flop in age creates a difference in their relationship and they come across as closer and less-adversarial on screen. Also, here it's Alexis, not Tim, who's the computer whiz.

        The plot is little more than a cleverly jumbled-together batch of formulas. As I mentioned before, Jurassic Park is, reduced to its most basic level, a monster movie. Thrown in for good measure is the human interest story - the growing relationship between self-confessed child-hater Grant and his two youthful charges - but this part of the film works least successfully.

        Nevertheless, I doubt that there are many who will go to Jurassic Park for its characters or story. Rightly so, crowds will flock to the theaters screening this movie so they can ooh and aah, jump in their seats, and root for the overmatched humans against the big, bad dinosaurs. Even those familiar with the written work can't help being drawn in to the pulse-pounding exhilaration of the chase as the Tyrannosaurus menaces two powerless electric cars and the trapped humans inside. In the end, Jurassic Park succeeds because it's good entertainment. 

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Mission Impossible Music - 1996

History :
         American defector Howard Bainbridge (Frank Farmer) returns to the US for one last reunion with his son Paul (Anthony Norwalk). Unfortunately, Bainbridge gets into an argument with his ultra-right wing father Justin Bainbridge (Andrew Duggan), who ends up killing Howard and burying the body on his huge estate. The IMF's mission is to recover the body--and with it a sample of the deadly contaminated nerve gas that the defector had been working on before he died. Scripted by Ed Adamson and Ken Pettus from a story by Adamson and John D.F. Black, "A Ghost Story" originally aired on February 27 1971. ~ Hal Erickson, All Movie Guide

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Crazy Frog Albam Songs

History :
         The Crazy Frog has been toppled as the world's most annoying advert based ring tone. The frog has held the position for three whole years despite being created in 2002 by The Chuckle Brothers, who have maintained their otherwise dead career off the back of the royalties.Now though, its position as Ring Tone Annoyance Number One has been breached, and it will slide into anonymity, for there is a new tone in charge.We Buy Any Car (dot) Com has shot passed the Frog like a turbo charged Porche taking on a scooter based frog.Children everywhere have taken to the new tune and can now sing it, word for word, cadence for cadence without having to hear the original at the same time. All it takes is for a parent to use the words "We Buy" at any point to set them off. Now it is a ring tone, and it is being downloaded at the rate of two million per day. It will soon overtake the world's three most popular tunes, the Nokia Diddliy diddly diddla, Happy Birthday by Anne O'Nymous and Stairway To Heaven by Santoo92 

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Mortal Kombat Music - 1992

History :
            Eons ago the existence of Earth was recognized by the Elder Gods. These Gods ruled diverse realms which make up the unstable universe all worlds must occupy. The delicate balance of a realm's existence rests on its furies - negative and positive forces that keep the realm from collapsing onto itself. Each realm is therefore very powerful, containing a portion of the energy which makes up the universe as we know it. The tournament of Mortal Kombat started when a sadistic emperor bent on greed and domination chose to seize every realm in his path, transforming them into his ever-expanding collection of conquered realms known as the Outworld. Because our planet is in essence a gateway between worlds and other realms, it is deemed exceptionally desirable, thus making it attractive to other dark forces in the universe. 

But Lord Rayden, Earth Realm's protector and god of thunder, appealed to the Elder Gods who gave our realm a chance at stopping an invasion by the evil forces of Outworld. It would pin the finest warriors from both realms against each other in honorable kombat. Though Rayden is powerful, his true purpose is to help teach the inhabitants of earth to save themselves. The thunder god cannot compete directly in the tournament. Instead he participates by offering insight and wisdom to our heroes. The gods will help humans reach their true potential, but human beings must defend themselves in all things. The first Mortal Kombat was held nearly ten centuries ago, won by Shao Kahn's demon sorcerer Shang Tsung, who uses his dark and unholy powers to steal the soul of his vanquished opponents. But his reign as champion was not long lived as he was defeated by a noble warrior monk from the Temple of the Order of Light in China named Kung Lao. Not long after his victory, Kung Lao would be handed the burden of sacrificing his own hopes and dreams of settling down with his one true love to recruit and train fighters for the next tournament. 

             But Rayden would persuade the warrior monk to stay in the city of Zhu Zin and train other Earth Realm fighters. Zhu Zin is a city filled with culture and mysticism, but also has the potential to be a dark and treacherous destination. Two fighters who find themselves defending themselves and their realm against the evil forces of Outworld include Taja, a beautiful and street-smart thief, and Siro, a muscular, strong willed guard skilled in the arts of kombat. The trio's biggest concern would be that of emperor Shao Kahn and sorcerer Shang Tsung dispatching Outworld assassins to travel to Earth Realm and kill them, because if they are dead, they cannot fight in the next tournament. These two evil tyrants also form alliances with other sorcerers, ninjas, bounty hunters and assassins to put an end to Earth Realm's warriors. It is a trying responsibility to lay upon the shoulders of a monk, a guard and a thief because all it takes is one mistake for Kahn to open a portal and take over our realm. The fate of Earth lays in the balance centered around a sacred tournament called Mortal 

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Pearl Harbor  Music - 2001

History :
         There was an eerie calm over Hawaii that morning. Perhaps it was a silent warning of what was to come. On every prior Sunday, for nearly two months, U.S. Navy carrier-based fliers posing as enemy aviators had conducted mock bombing raids while Army antiaircraft batteries directed simulated fire in defense of the island. Just a week earlier the sky over Oahu has resembled a three-ring circus as Navy planes circled, dove and buzzed the decks of the mighty Pacific Fleet's warships lying in anchor at Pearl Harbor.

But Sunday, December 7, 1941, was different. With just a few exceptions nearly all the Navy's and the Army's aircraft were on the ground. No army gunners were ready at their posts. Not a single Navy reconnaissance plane was in the air. Instead, the fighters, bombers, patrol planes, transports and trainers were carefully lined up on runway aprons - wing to wing, tip to tip, in perfect target position.

        The sailors of the fleet were also unaware that the clear blue sky above would soon begin raining death and destruction on their gently lolling ships. Except for the carriers Enterprise and Lexington - which were at sea along with a few heavy cruisers and destroyers - virtually the entire Pacific Fleet was in the harbor.Curiously, though the USS Ward reported sinking a submarine in the prohibited area off Pearl at 6:45 a.m., no alert was sounded. Instead, each vessel's crew routinely prepared for Sunday religious services.

        Aboard the battlewagon USS Arizona the members of the band were excused from performing at morning muster since they had won second place in a contest the night before. They snoozed contentedly, little knowing that their bunks would soon become their eternal resting place and the ship their tomb.At 7:50 a.m. swarms of Japanese planes swept over the island. From the north, bombers roared over the Army's Schofield Barracks and past Wheeler Field toward the fleet. Another force came from the east, attacking Kaneohe Field, then Bellows Field and on to the harbor. From the south a third group of planes pock-marked Hickam Air Field with bomb craters and ignited a chain of exploding U.S. planes before continuing toward the helplessly moored warships.

         In rapid succession the battleship USS Utah and the light cruiser USS Raleigh were struck by torpedoes from the diving Japanese planes. A single torpedo crippled both the Oglala and the Helena. Moments later an 1,800-pound bomb penetrated the Arizona's deck and ignited fuel and ammunition caches below, sending more than a thousand sailors and Marines aboard her to a watery grave.

Wave after wave of Japanese planes descended on the harbor, bombing, strafing and torpedoing their targets. By 11 a.m. the attack was over; only the flotsam and jetsam of a once-mighty fleet was left bobbing in its wake.A terrible price in lives and equipment had been paid. More than 2,400 men were killed outright or died of their wounds soon after. Another 1,178 were wounded. A total of 18 vessels - eight battleships, three light cruisers, three destroyers and four auxiliary ships - were either sunk or knocked out of commission. Eighty-seven naval aircraft were also destroyed along with 77 Army planes.

        Equally devastating, the pride of the U.S. Navy also sank that morning. By contrast, the Japanese lost only 29 planes, one attack submarine and five midget subs in their daring raid.As news about the attack flashed across the nation, Americans reacted with shock, fear and then rage and anger. Yet, as emotions calmed, the inevitable questions were raised.How could the Japanese fleet sail across the Pacific without detection? Where did Japan obtain the detailed information about the deployment of U.S. forces on Oahu? Why were our ships and planes lined up so neatly together, inviting attack? How could our fighting forces be caught so off-guard? How could they be taken so totally by surprise?

        Today, more than four decades later, some of those questions can now be answered. Most of the players in the tragic drama staged at Pearl Harbor are dead now, their terrible secrets taken with them to the grave. There is little owed to them. A far greater debt must be paid to historical truth.Within hours of the attack on Pearl Harbor, President Franklin Delano Roosevelt was hand-correcting a speech he planned to deliver the next evening before a joint session of Congress. That draft is among my most prized possessions. In faded pencil, is the unmistakable scrawl of Roosevelt, inserting a word there, a phrase there.

        The next day, the third-term President gave one of his best-remembered addresses. In his lilting, sing-song cadence, Roosevelt called the grieving nation to arms. He labeled December 7, 1941, as "a date which will live in infamy." His words were so carefully crafted and eloquent, it was difficult to believe he had managed to compose them in the haste and confusion following the attack.

        In fact, the treachery of our nation's leader rivaled that of the Japanese. Roosevelt had labored on the speech for days. He knew well in advance that the Japanese were planning a sneak attack. He knew to the day, almost to the hour, when the assault on Pearl Harbor would begin. December 7, 1941, held no surprises for Roosevelt, nor for me.A full week earlier, on November 29, I learned about the impending attack from an unlikely source - Cordell Hull, Roosevelt's own secretary of state. To put the matter into proper perspective, I should explain how and why Hull came to entrust me with the terrible secret of Pearl Harbor.I arrived in Washington, D.C., on the same train that carried President-elect Roosevelt in March 1933. Though I was only 22 at the time, I moved comfortably within the ranks of movers and shakers who were soon to inherit the reins of government.

         My credentials among the Roosevelt crowd were impeccable. I had organized the first Roosevelt for President Club three years earlier in my hometown of South Bend, Indiana, while FDR himself was still running for reelection as governor of New York. By the end of 1930 I was directing active clubs in 21 states..Prior to the Democratic National Convention of 1932 I convinced House Speaker John Nance Garner to issue public statements that he was not a candidate for the Presidency, and helped head off the "Stop Roosevelt" bloc within the party. As sort of a thank-you, Democratic National Committee Chairman Jim Farley arranged a brief visit with Roosevelt at the governor's mansion in Albany. At a private meeting with FDR following his victorious election he suggested I select a post in his administration and submit my application directly to him after the Inaugural on March 4, 1933.

       Though I had proven my political savvy during the long Roosevelt Presidential campaign, I knew little about the machinery of the government itself. I was caught on the horns of a dilemma. Here I was, presented with an opportunity to pick nearly any job in the administration I desired short of a Cabinet post, and I couldn't decide. I wanted a job where I could meet people and rub shoulders with the power-brokers, something in public relations.

       Finally, a few weeks after he formally took office, I wrote to Roosevelt and asked for an appointment as chief of the passport division under the jurisdiction of the newly appointed secretary of state, Tennessee Senator Cordell Hull. By March 27, Louie Howe, Roosevelt's closest confidant, had forwarded my request to the State Department, and within a few days Hull himself telephoned to suggest I drop by his office.Tall and distinguished, with thick-tufted brows poised above kindly eyes, Cordell Hull cut an imposing figure. He had the carriage and bearing of a king; yet he never forgot his Tennessee hill-country origins.

       With a sincere twinge of sorrow in his voice Hull explained that the job I sought was held by a career civil servant who could not legally be removed, and asked whether I would be interested in an appointment as special assistant to the woman who currently held the post. After considering his offer for a few days, I thanked Hull for his time and attention but declined the position. The papers were full of rumors of sex scandals within the State Department, and I decided that that agency probably shouldn't serve as my initiation into government service. My meetings with Hull, however, began a cordial, respectful relationship that was to last throughout his nearly 12 years as secretary of state.

        Over the next few years I moved through several of the "alphabet soup" agencies President Roosevelt created to focus government attention on the nation's depressed economy. At the National Recovery Administration I managed to obtain the participation of the Du Pont Corporation in the NRA's work. But soon I recognized that the restrictive codes and regulations imposed by the administration were driving small Mom-and-Pop businesses into bankruptcy and launching chains of conglomerates that changed the very face of American retailing.

         Next I began handling complaints for the Agriculture Adjustment Administration (AAA) until I witnessed the deliberate slaughter of hogs to keep pork production down. While millions of families starved and begged for food, the government was directing the destruction of crops, dairy products and animals to prop up prices!I resigned in protest and took a post in the Treasury Department, which wasn't much of an improvement. As chief of correspondence of the emergency-accounts section in the department's procurement division, I could watch from a front-row seat while tax dollars were squandered on outrageous programs and federal agencies paid exorbitant sums for equipment that could have been purchased at half the price on the open market.

         I argued until I was blue in the face, but it was all to no avail. The fix was in. I finally figured that government service was not for me.Over the next months I began working as a freelance writer for the New York Herald-Tribune, the Pittsburgh Press and the Paul Block newspaper chain, among others. I also worked for a number of congressmen, writing speeches, handling their public relations and investigating issues.

         Meanwhile, Roosevelt was finding that his smooth-sailing ship of state had run into some rough water. The Supreme Court declared both the NRA and the AAA unconstitutional and challenged other parts of Roosevelt's New Deal program.

         Roosevelt, of course, fought back. He began behind-the-scenes maneuvers to purge members of the Senate who opposed his pet projects, and blatantly tried to pack the Supreme Court with justices who would be subservient to his whims. For me that was the last straw. I publicly broke with the President and began directing my efforts against his tyrannical plans.

          At the height of the controversy I wrote to Supreme Court Justice James C. McReynolds and questioned him about the rumors circulating in the capital that he intended to retire. McReynolds advised me in his reply to "disregard" all the talk about his resignation, and I leaked the text of the letter to my friend Lyle Wilson, Washington bureau chief of United Press. The story put a damper on Roosevelt's court-packing plan and spelled defeat for his judicial reorganization proposal in Congress.

          Only nine months after FDR took the oath of office for his second term as President, I continued my assault by revealing in the New York Herald-Tribune on October 31, 1937, that Roosevelt was hoping for a war in Europe so that he could sidestep the Constitutional provision limiting a President to eight years in office and seek an unprecedented third term. The story was later reprinted in full in the Congressional Record, only weeks before the election in 1940.Of course, my organizing activities against Roosevelt earned me his undying hatred, just as my efforts in his behalf a decade earlier had won his friendship. But it was clear he had become a demagogue and wanted to be a sort of king or a president-for-life. I was not alone in that assessment, and my opposition to a third term for Roosevelt also gained for me the fellowship of many politicians and even the grudging admiration of one of Roosevelt's own Cabinet secretaries, Cordell Hull.

         For decades Hull had toiled in service to the nation. He volunteered for duty in Cuba during the Spanish-American War, and upon his return he rode the Tennessee hills as a circuit judge. He was elected to Congress in 1907, and he remained there until Roosevelt beckoned him in 1933.Between 1921 and 1924 he had paid his political dues serving as chairman of the Democratic National Committee. As secretary of state, he suffered in silence while Roosevelt used Undersecretary Sumner Welles - a closet bisexual - to direct foreign policy from the White House, undercutting Hull at every turn.At first, Hull had ample reason to be patient. He wanted to be President and told me later that Roosevelt had secretly promised Hull not to seek reelection to a third term. Roosevelt, Hull claimed, had even vowed to support him for the Democratic nomination. But unknown to Hull at the time, FDR had made the same guarantee to a score of others.

          Months went by - crucial organizing months - while Roosevelt refused to discuss the issue of a third term publicly. Finally, when FDR made his move, Hull realized he had been betrayed. By the time Roosevelt's third term ended in 1944, Hull would be 72 - too old, he figured, for a tough race for the White House.

Early in 1941 I came upon some incredible information that, if true, could have badly tarnished Hull's shining political image. Remembering his personal kindness years before, I wrote to the secretary of state and requested a private audience.

          Independently, I managed to confirm the gist of the story that concerted events dating back to the beginnings of Hull's career in public life. My intention was merely to get a statement from the secretary of state and then publish the story. In a series of meetings over the following weeks Hull acknowledged the truth of what I had discovered.

         The scene of our meeting in Hull's office is still etched deeply in my memory: the courtly secretary of state, hunched over in despair, sobbing and pleading with me to keep the story secret. As Hull related to me the difficult circumstances Roosevelt had placed him in, I began to understand the sorrow and anguish he had suffered. He'd had enough, I decided. I promised Hull never to reveal the information I had obtained, and I have kept that confidence to this day.Hull told me he never forgave Roosevelt for double-crossing him in 1939; yet he remained in office, cautiously and carefully tying to hold together the fabric of U.S. foreign policy. Hull knew he was the only man in the New Deal Cabinet who had the power and stature to blow the whistle on Roosevelt's chicanery. But he remained a loyalist for the good of the nation. It was clear that war clouds were on the horizon and that a political crisis in the United States could only benefit the enemies of democracy.

         It was in this volatile and uncertain atmosphere that Cordell Hull telephoned me early on Saturday, November 29, 1941, and asked me to see him in person as soon as possible. He wanted to discuss a matter of extreme importance with me, and it was a subject of such sensitivity, it could not be talked about on the phone. There was an obvious note of urgency in his high-pitched voice, and I quickly agreed.

We met outside the State Department (then housed in what is now known as the Old Executive Office Building next door to the White House), and after exchanging brief hellos, walked briskly across the street to Lafayette Park. As we sat on a bench, Hull was fidgeting nervously, betraying the emotions usually masked by his cool demeanor. Suddenly, he burst into tears, and his lanky figure shuddered.

        I resisted an impulse to drape my arm around his shoulder and waited patiently for him to regain his composure. Sucking in great gasps of air, Hull began to talk. His words came slowly at first and then fairly streamed from his mouth. It was as if he could barely wait to pronounce them he was so anxious to tell the story. I could only sit in startled silence as Hull told me Japan was going to attack Pearl Harbor within a few days, and pulled from his inside coat pocket a transcript of Japanese radio intercepts detailing the plan. Recovering from my shock, I began to question him."Why are you telling me this?" I blurted out. "Why don't you hold a press conference and issue a warning?"

"I don't know anyone else I can trust," he replied, shaking his head. "I've confided in some of your colleagues in the past, but they've always gotten me into hot water. You've had the goods on me for months; yet you've kept your promise not to publish them. You're the only one I can turn to.""Does the President know the Japs are going to attack Pearl Harbor?""Of course he does. He's fully aware of the plans. So is Hoover at the FBI. Roosevelt and I got into a terrible argument, but he refuses to do anything about it. He wants us in this war, and an attack in Hawaii will give him just the opportunity. That's why I can't hold a press conference. I'd be denounced by the White House. No one would believe me!"(Hull's allegations about FBI complicity in the coverup were confirmed more than a month after Pearl Harbor. A bylined article by United Press reporter Fred Mullen in the Washington Times-Herald declared, "FBI Told Army Japs Planned Honolulu Raid." The article explained that the bureau had intercepted a radio-telephone conversation on December 5, which mentioned details of the planned raid. Within hours of publication Hoover pressured the newspaper into pulling the story from its later editions.)

        After exacting a promise from me never to reveal where I got the document, Hull gave me a transcript of the Japanese message intercepts. I nearly ran the few short blocks to the National Press Building on 14th Street, where I had an office. I took the elevator up to the United Press bureau and brushed past the clerks and reporters into Lyle Wilson's private office.

       Wilson was a longtime friend who had used many of my stories in the past. He was also a chum of Steve Early, Roosevelt's press secretary; so I swore him to secrecy before I would reveal the purpose of my visit..I told Wilson I had just left a high governmental official who gave me unimpeachable evidence that Pearl Harbor was about to be attacked and that Roosevelt knew all about it. Wilson was incredulous. He told me my story was simply unbelievable and refused to put it on the United Press wire. Again I made Wilson swear an oath that he would not divulge what I had told him, and I hurried out of his office.

      After a frantic series of calls I finally located Harry Frantz, until recently the cable editor of United Press. Harry still had excellent connections at the bureau, and he managed to transmit the story on the UP foreign cable - but not the syndicate's main trunk line.Though written in haste, the story as it left Washington contained all the important details of what Hull had confided to me earlier that morning. Yet, somehow, the text was garbled in transmission.

       The only newspaper in the whole world to use any portion of the story was the Honolulu Advertiser. A front-page banner headline in the paper the morning of Sunday, November 30, "JAPANESE MAY ATTACK OVER WEEKEND!" A subhead noted, "Hawaii Troops Alerted".Suspiciously, the story didn't mention that the target of the Japanese attack would be Pearl Harbor itself. The horrible cost paid for that simple omission is well-known.

       The gloomy news of the calamity at Pearl Harbor descended on Washington like a pall. A couple of days later Lyle Wilson phoned and asked me to come to the bureau. As I walked into his private office, he handed me Roosevelt's personally edited press release about the "surprise offensive," saying simply, "I want you to have this."."Why are you giving this to me?" I inquired. "It will probably be recorded as the most famous speech Roosevelt ever gave!"."Steve Early gave it to me," he replied. "You see, I told him I knew about the attack and didn't use the story. It was Early's way of saying thanks. I muffed the most important story of my career. We might have saved thousands of lives."Wilson slumped behind his desk and buried his face in his hands. Clutching FDR's press release, I sat in an empty chair and wept..

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Star Wars Music

History :
         The story portrayed in the movies started when the Republic Senate taxed the outlaying star systems.  The Trade Federation, a mercantile group founded by commericial trade, feeling that they were unfairly taxed too heavily, blockade the planet of Naboo, who was ruled by a teenage queen named Padme. The Supreme Chancellor of the Galaxy dispatched two Jedi Knights, Qui-Gon Jinn and his apprentice Obi-Wan Kenobi, to help the Trade Federation reach a settlement. Unfortunately, the Trade Federation tried to kill the two Jedi, and they capture Padme so that she could sign a treaty in the Trade Federation's favor. Fortunately, the Jedi escape with the Queen to the planet Tatooine, where they encountered a small boy by the name of Anakin Skywalker. Qui-Gon learns that Anakin is strong in the Force--the living entity that gave Jedis their power, and believe him to the Chosen One who would bring balance to the Force. But, before he could train him, Qui-Gon is killed by a Sith Lord, a group of extinct Jedi that embraced the Dark Side of the Force. With his dying breath, Obi-wan pledges to Qui-Gon that he would train Anakin, against the wishes of the Jedi Council, who thought that Anakin was simply too old to become a Jedi. (Star Wars I: The Phantom Menace)
        Ten Years later, Obi Wan and Anakin are assigned to protect Padme when a group of planets threaten to secede from the Republic. The planets known as the Confederation of Independent System believe that the Republic had grown corrupt and want to start anew. The CIS is headed by a former Jedi Master named Count Dooku, who had embraced the Dark Side of the Force and became a Sith Lord. Dooku wants to start a civil war in the Republic and is secretly building a droid army. Investigating those who tried to kill the Queen, Obi-Wan and Anakin uncover a plan by the Republic to create a clone army in preperation for the Civil War. The crisis reachs the Senate when Obi-Wan uncovers Dooku's plan, and the Senate votes to give "emergency powers" to Supreme Chancellor Palpatine in order to stop Dooku. (Star War II: Attack of the Clones).As we shall find out, Dooku and Palpatine are working together to gain control of the entire Republic and turn into a dictatorship. And in the process, they lure Anakin Skywalker into the Dark Side of the Force and he becomes Darth Vader. (Star Wars III: The Revenge of The Sith)
        Flash forward to twenty years later when a secret underground group of freedom fighters have just stolen the plans to the Emporer's ultimate weapon, the Death Star, a huge space station capable of destroying entire planets. Princess Leia is racing aboard her starship over the planet of Tatooine when Darth Vader captures her and accuses her of stealing the plans to the Death Star. He is right. However, she hides the plans with her two robot companions R2-D2 and C-3PO. The two droids escape to the planet surface and are sold to a young farm boy named Luke Skywalker. Along with Obi-Kenobi, now hiding in exile from Darth Vader, Luke attempts to get the plans back to the Princess so the rebels can destroy the Darth Star. So, he and Obi-Wan hire a space captain named Han Solo to take them to the Princess' home planet of Alderann. Unfortunately, Alderann was destroyed by the Death Star, and Luke and his friends are captured by Darth Vader. Luke and Han rescues Leia, and then help the rebels destroy the Empire's space station. Unfortunately, Obi-wan is killed by Darth Vader, his former student, and in the ensuing battle, Darth Vader escapes. (Star Wars IV: A New Hope).
        In the next story, Darth Vader is obessed with finding Luke, and tracks him down on the ice planet Hoth. A battle ensues and everyone escapes, including Luke who travels to the planet of Dagaboh were he wants a Jedi Master named Yoda to help train him become a Jedi Knight. In the meantime, the Emporer has a vision and tells Darth Vader that Luke poses a threat to their power and that he could destroy them both. Vader wonders if Luke can be turned to the dark side, and the Emporer agrees. But, first they need to trap Luke, so Vader captures Han Solo and Princess Leia at a place called Cloud City. There, Solo is taken to Jabba the Hutt, a crimelord that Solo owes money to. Luke arrives at Cloud City and fights Darth Vader where he attempts to turn him to the DarkSide. When all else fails, Vader tells Luke that he is his father. Luke at first doesn't believe it, but then realizes that Darth Vader used to be Anakin Skywalker. Luke refuses to join the darkside regardless and escapes from Vader at the last moment. (Star Wars V: The Empire Strikes Back).
        In the last installment of Star Wars, Luke, now a Jedi Knight, returns to Tatooine to rescue Han Solo from Jabba the Hutt. In the ensuing battle, Han is freed and Jabba is killed. Luke returns to finish his training but Yoda dies of old age, and Obi-Wan appears to him as a vision. Obi-Wan tells Luke that yes, Darth Vader is his father, and not only that, Luke has a twin sister--Leia. The two twins were born at the end of The Revenge of the Sith, and were separated so the Emporer couldn't corrupt them. Meanwhile, the Emporer has created a bigger and more powerful Death Star, and the Rebel Fleet has gathered to destroy it. To make matters more pressing, it is learned that the Emporer is going to visit the station while he and Darth Vader once again attempt to turn Luke to the Dark Side. Leia soon learns that she is Luke's sister, and then gathers to attack the Death Star. Luke, meanwhile, is captured by Darth Vader, and brought before the Emporer while the Fleet attacks the Death Star. Luke wants to turn his Father back from the darkside, but both Vader and the Emporer tell him that it is impossible. Once again, Vader and Luke fight, but Luke surrenders saying that he will never join the Darkside. The Emporer, figuring that Luke will never change, tries to kill him only to have Darth Vader intercede and rescue him, killing the Emporer in the process. Meanwhile, the Rebel Fleet has broken through the Imperial Fleet and destroys the Empire once and for all. The Emporer is dead, and Luke has suceeded in turning his father back to the "good" side of the Force. (Star Wars VI: The Return of the Jedi)In a nutshell that is it. Basically the whole entire story is about choices and overcoming our urges and our hate. And, of course, redemption.

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James Bond 007 Music - 1999


History :
         I have seen Casino Royale in November. There are still some things to improve: Eva Green was not sexy enough. Daniel Craig's blue eyes and his hair color are not very Bond-like. Still, Casino Royale is better than the last Bond films which were mainly product placement with thin stories. Daniel Craig is the most masculine Bond since Sean Connery. However, the best choice for the role of James Bond would have been Toby Stephens. In 2002 in Die Another Day in the role of Bond's antagonist Gustav Graves, Toby Stephens delivered a Bond caricature that was better than the original interpreted by Pierce Brosnan.
             The James Bond Story begins with Sean Connery who created the myth of 007 on the big screen with Dr. No. in 1962. For a lot of people, including myself, he remains the best Bond ever. Until today, Sean Connery is the male sex-symbol. As the Australian model George Lazenby took over the part in 1969. Lazenby lacked the necessary strong personality and tried to fight in the name of her Majesty, the Queen of England. Moreover, he had the bad luck to play in the only untypical Bond film ever. On Her Majesty's Secret Service was almost an "ordinary" film. 007 was no supernatural hero of an adult fairy-tale but a man of flesh and blood with profound human feelings in an almost realistic story in which he loses the woman of his life, another bad idea. It is an underrated film which did not meet the public's expectations for a Bond film and was, therefore, not appreciated.
         In the 1970s, Roger Moore incorporated a "lighter" version of the agent with the license to kill. The films became a special type of sophisticated comedy. Towards the end of Moore's career as Bond, it became necessary for him to be able to make fun of himself and not to take everything too seriously because, otherwise, he would have looked ridiculous at 57.
         In the mid-1980s, the 40-year old Timothy Dalton tried to give Bond more personality, seriousness and even vulnerability. But the two films by the Shakespeare actor proved to be less than successful. As with George Lazenby before, the public did not appreciate the more "real-life" approach of Dalton. Since the 1990s, Pierce Brosnan is at the service of her Majesty. At the beginning, he was a rather thin and lightweight man for a Bond. His comedy-background did not enhance his chances of success. But after years of weight-lifting he fills the suits he wears better and he has adapted quite well to incarnating the shining and bigger than real-life agent. He combines elegance, sophistication, virility and danger with his sense of humor. Not the worst Bond so far.
         The DVD The James Bond Story summarizes the few things that we know about the Bond-character: his mother was Swiss, his father English. Both were killed by an avalanche when James was eleven years old. Bond was kicked out of Eton and afterwards attended the former school of his father. He served in the military where the British Secret Service recruited him from the Royal Navy and granted him the license to kill. The movie-goer remembers this information from The Spy Who Loved Me, 1977.
          The popularity of the Bond movies is due to the fairy-tale character of its hero, but also largely to special effects and stunts which, of course, were not performed by the actors themselves but by some of the finest stuntmen in the business. In Live and Let Die one of them leaps over the backs of several real crocodiles. He had to perform the stunt several times to succeed, as the DVD The James Bond Story documents. With a single viewing of the movie, a lot of spectators probably do not even realize that the scene was a real stunt. Regarding the special effects, in some films they were exaggerated and, therefore, ridiculous, e.g. in Moonraker. The KGB thought the gadgets used by Bond were real and part of the equipment of Western agents.
          The Bond movies have achieved a cult status partly because of the fact that 007 has never been politically correct. He uses force, violence and kills in cold blood in the name of his fatherland. He makes love to a lot of beautiful women. Because he is a man, only a few spectators realize that, besides numerous non-professional affairs, he often prostitutes himself in the service of Her Majesty, the Queen. Nobody would trust him with their wife. His misogyny is also not politically correct. A lot of men - and women - like this macho attitude. Furthermore, Bond is sophisticated, fashionable and extravagant.
           The author and creator of James Bond, Ian Fleming (1908-64), worked during the Second World War for the intelligence service of the British Navy. But he was no spy and even less some kind of "Bond". In search of a simple, flat name for his main character, Fleming came across James Bond, the author of the novel Birds of the West Indies which is very British Raj. Fleming incorporated several characteristics from there into his James Bond, among them the famous stiff upper lip and the British humor. Bond is an archetype who travels to foreign countries, solves problems without showing deep human feelings and, afterwards, leaves for new adventures on a new job assigned to him. The James Bond Story is an informative, but a rather short DVD. The story is told by Miranda Richardson

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Mummy Returns  Music - 2001

History :
        Certainly from an ideological standpoint, any movie that has as one of its central scenes a boy resurrecting his mother from the dead by reading from an Egyptian book is going to leave some Christian viewers turned off. The underlying theology of the film is very confused, with new gods and powers invented to advance the needs of the plot in a haphazard manner. At times it is clearly polytheistic, presenting the Egyptian gods as real and the Judeo-Christian god as absent or unimportant. But at other times the movie shows an inability to think through the implications of the world it created and falls back to Western Christian rhetoric. “God help us,” a magi warrior says when looking at a swarming horde of demon warriors bearing down on his troop of protectors of the innocent, and it seems clear enough that he is making reference to some omnipotent higher power that is not on the same level as Annubis or others who empower the Egyptian zombies. Imhotep wishes to kill the Scorpion King who derives his powers from Annubis, because the power to lead the demon army automatically passes to whoever kills him. This seems to imply that Imhotep is not a follower of Annubis, but at a key moment Imhotep's supernatural powers are taken away by Annubis whom Imhotep says wishes him to “fight as a mortal.”

        As mentioned earlier, the O'Connell's son, Alex, raises mom from the dead by reading from the same book that raised Imhotep physically and recalled the spirit of his betrothed from “the underworld.” Yet after Evie is brought back, she asks if anyone wants to know what “heaven looks like,” implying the book has powers over souls both in the Egyptian underworld and the Christian “heaven.”

        Later, Imhotep and Rick will be balanced over a precipice with members of the underworld trying to pull them in—why they would both go to the same place when they die, or why Rick would be pulled into the underworld but Evie would go to “heaven” is never fully explored. None of this is intentionally heretical or even thought out. And I say it not because being unchristian in its worldview makes it a bad movie, but because being inconsistent in the world it recreates (Christian or non-Christian) is an element of an inferior fantasy world.

         These religious implications, however, are not what ultimately hurts the film as an entertainment vehicle. The larger problem here is we have a huge case of sequel-itis. Everything has to be bigger, louder, and longer. Much like last year’s “MI-2,” the film seems to be designed around a series of set pieces—special effects or action scenes which are designed to dazzle viewers and look impressive in trailers. When is Hollywood going to catch on to the fact that one or two money shots in the context of an intelligent and engaging story (think “The Matrix” or “Titanic”) are generally more effective than a series of money shots run together (“Gone in 60 Seconds”) or a dull build up to a set piece so spectacular it dwarfs the humanity and hence the emotion (“The Perfect Storm”)?

        “The Mummy” was a modest hit because, lacking the big budget, it had to be judicious with its effects; the face in the sand was memorable because it stood out. In “The Mummy Returns” we get a replay of the memorable effects (Imhotep transforming from degenerated corpse to human, Imhotep's face forming elementally in the water) but they are not the cherry on the sundae, they are a couple of cherries in a bowl of cherries—which is a very different culinary experience.

         Overall, what “The Mummy Returns” is lacking is any sense of camp or creepiness. With the arrival of a big budget comes the need to be an action movie, not an adventure movie. Mummy movies work best when they are about mood, not bullets and battles.

          As an action flick “The Mummy Returns” manages to avoid the excessive profanity, nudity and gore that will mark some summer movies. As such it has less offensive stuff in it than some other viewing options. It just doesn’t have a lot in it to recommend it in its own right

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Venga Boys

History :
         Dance-pop troupe the Vengaboys was originally formed by Spanish DJs Danski and Delmundo, who performed live under the name between 1992 and 1996, additionally scoring a handful of underground club hits. During the summer of 1996 the duo was joined by singers/dancers Kim, Robin, Roy and Denice, all of whom became full-time members of the group; with Danski and Delmundo locked in the studio, the four vocalists toured Europe under the Vengaboys name, followed in 1997 by the release of the single "Up and Down." The follow-up "We Like to Party! (The Vengabus)" appeared in 1998, shortly trailed by the full-length The Party Album. The single "Kiss When the Sun Don't Shine" followed in early 2000. This is the most recent information about Vengaboys that has been submitted to amIright. If we have more information about Vengaboys, then we provide a link to the section where it appears (the actual page whenever possible.

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Backstreet Boys

Cast :         Nick Carter,Brian Littrell,Howie Dorough,A.J. McLean

Director :      Bruce Gowers

Producer :     Ken Ehrlich,Michael Green,Al Masocco,Lisa Geers,Jeff Kwatinetz

Music :        Rickey Minor

History :
         Martin Karl "Max Martin" Sandberg (born February 26, 1971) is an ASCAP-awarded and Grammy-nominated,Swedish music producer and songwriter. He was born in Stockholm, Sweden, and is best known by his pen name Max Martin. Breaking through as a producer and songwriter in the mid 1990s, he has crafted a string of hits for pop artists like Backstreet Boys, Britney Spears, *NSYNC and Pink among many others.

          His trademark during the second half of the 1990s and early 2000s was a danceable, piano/synth-laden pop sound that blended music styles such as funk, heavy metal and europop. However, with Kelly Clarkson's 2004 and 2005 hits "Since U Been Gone" and "Behind These Hazel Eyes", Martin stepped back into the spotlight after reinventing himself with a heavier, rock-tinged sound. Since 2008, he has written and co-written five number one hits, including "So What" by Pink, "Hot N Cold" and "I Kissed a Girl" by Katy Perry, Kelly Clarkson's "My Life Would Suck Without You", and "3" by Britney Spears.

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Titanic - 1997

History :
         This spectacular epic re-creates the ill-fated maiden voyage of the White Star Line's $7.5 million R.M.S Titanic and the tragic sea disaster of April 15, 1912. Running over three hours and made with the combined contributions of two major studios (20th Century-Fox, Paramount) at a cost of more than $200 million, Titanic ranked as the most expensive film in Hollywood history at the time of its release, and became the most successful. Writer-director James Cameron employed state-of-the-art digital special effects for this production, realized on a monumental scale and spanning eight decades. Inspired by the 1985 discovery of the Titanic in the North Atlantic, the contemporary storyline involves American treasure-seeker Brock Lovett (Bill Paxton) retrieving artifacts from the submerged ship. Lovett looks for diamonds but finds a drawing of a young woman, nude except for a necklace. When 102-year-old Rose (Gloria Stuart) reveals she's the person in the portrait, she is summoned to the wreckage site to tell her story of the 56-carat diamond necklace and her experiences of 84 years earlier. 

          The scene then shifts to 1912 Southampton where passengers boarding the Titanic include penniless Jack Dawson (Leonardo DiCaprio) and society girl Rose DeWitt Bukater (Kate Winslet), returning to Philadelphia with her wealthy fiance Cal Hockley (Billy Zane). After the April 10th launch, Rose develops a passionate interest in Jack, and Cal's reaction is vengeful. At midpoint in the film, the Titanic slides against the iceberg and water rushes into the front compartments. Even engulfed, Cal continues to pursue Jack and Rose as the massive liner begins its descent. Cameron launched the project after seeing Robert Ballard's 1987 National Geographic documentary on the wreckage. Blueprints of the real Titanic were followed during construction at Fox's custom-built Rosarito, Mexico studio, where a hydraulics system moved an immense model in a 17-million-gallon water tank. During three weeks aboard the Russian ship Academik Keldysh, underwater sequences were filmed with a 35mm camera in a titanium case mounted on the Russian submersible Mir 1. When the submersible neared the wreck, a video camera inside a remote-operated vehicle was sent into the Titanic's 400-foot bow, bringing back footage of staterooms, furniture and chandeliers. On November 1, 1997, the film had its world premiere at the 10th Tokyo International Film Festival.

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Jennifer

Birth name	Jennifer Lynn Lopez
Also known as	J.Lo
Born	July 24, 1969 (1969-07-24) (age 40)
Origin	The Bronx, New York, U.S.
Genres	Pop, R&B, hip hop, dance-pop, latin pop
Occupations	Actress, singer-songwriter, record producer, dancer, fashion designer, television producer, model, choreographer, entrepreneur, Miami  Dolphins part owner
Years active	1987–present (acting) 1997-present (singing)

History :
         Jennifer Lynn Lopez (born July 24, 1969), often nicknamed J.Lo, is an American actress, singer, record producer, dancer, fashion designer and television producer. She is the richest person of Latin American descent in Hollywood according to Forbes, and the most influential Hispanic entertainer in the U.S. according to People en Español's list of "100 Most Influential Hispanics".

          Lopez began her career as a dancer on the television comedy program In Living Color. Lopez subsequently ventured into acting with Selena (1997), Out of Sight (1998) and Angel Eyes (2001), for all of which she won ALMA Awards for outstanding actress. She also appeared in The Cell (2000), The Wedding Planner (2001), Maid in Manhattan (2002), Shall We Dance? (2004) and Monster-in-Law (2005). She parlayed her media fame into a fashion line and various perfumes with her celebrity endorsement.

          In 1999, Lopez released her debut studio album, On the 6. She followed it up with two number one albums on the Billboard 200, J.Lo (2001) and J to tha L-O!: The Remixes (2002). Her third studio album, This Is Me... Then (2002) peaked at number two on the Billboard 200 as well as her fourth studio album, Rebirth (2005). In 2007, Lopez released two albums including her first full Spanish-language album, Como Ama una Mujer and her fifth English studio album Brave. She won the 2003 American Music Award for Favorite Pop/Rock Female Artist and the 2007 American Music Award for Favorite Latin Artist. She has sold over 48 million albums worldwide

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Michael Jackson

Birth name	Michael Joseph Jackson
Born	August 29, 1958(1958-08-29) Gary, Indiana, United States
Died	June 25, 2009 (aged 50) Los Angeles, California, United States
Genres	R&B, pop, rock, soul, new jack swing
Occupations	Singer, songwriter, record producer, composer, dancer, choreographer, actor, peace activist, businessman, philanthropist
Instruments	Vocals, piano, guitar, beatbox, drums, bongos, other percussion
Years active	1964–2009

History :
          The HIStory album was released on June 20, 1995, and was Michael' a two disc album with a total of 30 songs. The first disc "HIStory Begins" was a collection of 15 of Michael's greatest hits as an adult solo artist. All greatest hits songs are the same as the original album versions.

The second disc "HIStory Continues" of this album contained 15 brand new songs, 12 of which were composed and written by Michael himself. Although the track "Come Together" was recorded in 1987 and released asa double A- Side with "Remember the Time" as well as having been featured in the Moonwalker movie many years earlier.

         The second disc of the 'History' album also credited Michael for the first time with playing the keyboards, Synthesizer, drums and percussion, and guitar.

Special appearances on the album were made by Janet Jackson, Shaquille O'Neal, Notorius B.I.G, Boyz II Men, and Slash.

         The album was controvercial, with many angry songs - Michael's reply to the press and allegations that had been plaguing his life and career over the previous few years, as well as had a softer edge with ballads such as "You Are Not Alone", "Earth Song", "Stranger In Moscow" and "Smile". Shortly after it's release the 'HIStory' album was pulled from the shelves due to the the controvercial lyrics in the song "They Don't Care About Us", and new copies of the album were released with a formal apology written by Michael to those who may have been offended by the lyrics.

         5 singles were released off of this album; "Scream", "Earth Song", "You Are Not Alone", "Stranger In Moscow", and "They Don't Care About Us". The album hit #1 in 19 countries around the world, with world wide sales of over 15 million. The "You Are Not Alone" single broke a world record when it became the first-ever single to debut at #1 on the Billboard music charts.

         Special editions of the HIStory album were released in Canada, Germany, Holland, and France in which Michael spoke directly to his fans of these countries thanking them for their support over the years and promising to tour their countries soon. 

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Slumdog Millionair-2008

Cast :                Dev Patel,Freida Pinto,Madhur Mittal,Anil Kapoor,Ayush Mahesh Khedekar

Director:            Danny Boyle, Loveleen Tandan

Music :              A.R.Rehman

Written :           Simon Beaufoy

Novel:              Vikas Swarup

Banner :             24 Fox Pictures Presents


History :
         Accused of cheating and desperate to prove his innocence, an eighteen-year-old orphan from the slums of Mumbai reflects back on his tumultuous life while competing to win 20 million rupees on India's Who Wants to Be a Millionaire in Danny Boyle's inspirational drama. Jamal Malik (Dev Patel) may not have a penny to his name, but that could all change in a matter of hours. He's one question away from taking the top prize on India's most popular television game show, but as with everything else in Jamal's life, it isn't going to be easy. Arrested by police under suspicion of cheating, Jamal is interrogated by the authorities. 

        The police simply can't believe that a common "slumdog" could possibly possess the knowledge to get this far in the game, and in order to convince them of how he gained such knowledge, Jamal begins reflecting back on his childhood. As young boys, Jamal and his older brother, Salim, lived in squalor, and lost their mother in a mob attack on Muslims. Subsequently forced to rely on their own wits to survive, the desperate siblings fell back on petty crime, eventually befriending adorable yet feisty young Latika as they sought out food and shelter on the unforgiving streets of Mumbai. Though life on the streets was never easy, Jamal's experiences ultimately instilled in him the knowledge he needed to answer the tough questions posed to him on Who Wants to Be a Millionaire. 

          And though Jamal makes a convincing case for himself, one question still remains: why would a young man with no apparent desire for wealth or fame be so determined to win big on a national game show? Of course, it won't be long until everyone finds out the answer to this burning question, because as Jamal sits down to find out whether he will be rich beyond his wildest dreams, 60 million viewers remain transfixed to their televisions eager to see if he'll correctly answer the final question.

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Black Out-English


Movie   :   Black Out

Director :  Jerry LaMothe

 By     :  Wilson Morales

  
Release Date: October 19, 2006

History :
         For independent directors such as Jerry LaMothe, getting the next project off the ground always comes with challenges. It’s one thing when you have had earlier success, as in the case of his first film, “Amour Infinity”, which received many accolades and rave reviews when it toured the festival circuit in 2001, but when the second film doesn’t do as well, the well-known term, “sophomore slump” is attached to his name. That was the case with “Nora’s Hair Salon”, which had some marketable names in the film (Jenifer Lewis, Tatyana Ali, Bobby Brown), but had gone straight to DVD with little fanfare and mixed reviews.         LaMothe was the director for hire on the project with little control. For his next film, he hopes the third time could be the charm as he’s assembled quite a cast for a film dealing with a major event that shook New York a few years ago. The film is called “Blackout” and the cast includes Jeffrey Wright and Zoe Saldana amongst a bevy of veteran actors. In speaking with blackfilm.com, LaMothe talks about how special this film is to him, working with such amazing talent and the challenges on his previous film.

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